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Date: Mon, 31 Jan 2011 Time: 7:10 AM
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ITV1 has commissioned a second series of the costume drama Downton Abbey after it proved a hit with viewers and critics. The Sunday-night drama was written and created by the Oscar-winning Julian Fellowes, and stars Dame Maggie Smith and Hugh Bonneville.

The drama also broke the record for a single episode viewing on itv.com's catchup service, the ITV Player.

Laura Mackie, the ITV director of drama commissioning, said: "We're delighted with the audience response to Downton Abbey and the positive critical reaction. We're extremely proud to have commissioned a series which has clearly captivated ITV1 viewers.

The second time he wrote Gosford Park, it was Downton Abbey, which was very good, and the third time he writes Gosford Park, it will be Downton Abbey: Series 2, which will surely be amazing. If they commission a few more series, Downton Abbey will eventually become the best written thing in the history of television.

The Opening. The first series of Downton Abbey opened with the news of the sinking of the Titanic reaching the house. Having the heirs to the house die in the Titanic tragedy was a terrific device which acted as the catalyst for many of the storylines.

The Limp. One of the dominant storylines of series one has been Bates' limp. The consternation that it has caused has resonated throughout the series with many repercussions for both the house's residents and staff.

Though she probably already knows who the Kaiser is, "Rum fellow, typical foreign-type, no notion of how to dress for luncheon and abominable taste in hats." The moment she exclaims, "A zeppelin has bombed Hull? What is this Hull of which you speak?" will be priceless.

Any manner of earth-shattering things could occur. Women may have to take on some of the tasks usually performed by the menfolk. The scope for revolutionary gender-role reassignment is immense. Perhaps they'll find themselves selecting cufflinks, removing lint from a man's jacket or winding up a clock. A maid might open the front door! Anarchy.

Order. The version of pastoral care the paternal Earl metes out to his wards will be tested to the limit in series two, as the poverty and lack of privation that war brings begins to impinge on life at Downton. How will he dispense justice when the newly widowed ladies-maid's kitchen-maid's undermaid is caught pilfering part of a silver cruet set?

Instead of being wooed by a succession of avaricious dullards in black tie, she'll be wooed by a succession of avaricious dullards dressed in khaki. And that will wholly justify paying the licence fee for a colour television. We can't wait.

I am thoroughly pleased with Downton Abbey after watching the first two episodes. It is wonderful to watch what is being called Gosford Park 2 by some. The dialogue is witty and the characters come to life for us, especially Hugh Bonneville who plays the Lord of the Manor. The home is grand as would be expected but not as ornate as some of other productions. My favorite is Maggie Smith who can play an old cynical woman so well with all her wickedness with a grain of softness hidden deep down.

So popular in the U.K. that "Vanity Fair's" Graydon Carter felt obligated to mention a local run on velvet jackets in a recent editor's note, "Downton Abbey" is all that "Upstairs, Downstairs" was, and more.

Writer Julian Fellowes takes the universal themes of love, betrayal, domestic politics and the vagaries of power that he used so effectively in "Gosford Park" and hangs them on a crumbling precipice of change. As with " Mad Men," the characters in "Downton Abbey" face the tail-end of an era; women's suffrage, the rise of socialism, and the imperturbable march of technology all threaten to upend the system of class and manners that protected and calcified Downton and its inhabitants for years.

Like "The King's Speech," which depicts another family on a similar brink, "Downton Abbey" makes it clear that those who exist in the higher realms of the food chain could not survive a day without the proletariat, but it also acknowledges, albeit wistfully, that in many cases the benefits were mutual.

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